文學小說
更新日期:
2020-10-30
Three Rooms
Jo Hamya
Jonathan Cape
July 2021
208pp
書籍編號:
01-30316
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● 內文簡介

★美、英出版社2021年夏季重點小說

輕鬆而巧妙地關注當代家庭觀念的本質、形式和自我表達、數位技術和社交媒體,以及無形的勞動,使它的許多特徵得以存在。小說《三個房間》(Three Rooms)透過維吉尼亞.吳爾芙的《一個自己的房間》和加拿大著名小說嘉瑞秋.庫斯克(Rachel Cusk)的敘事方法進行思考。

憑藉創造性的權威性、真實性和精心觀察的人類互動時刻,《三個房間》生動地探索一代人所經歷的政治和經濟動盪、種族和階級問題交匯的棘手問題──人們如何在這種不穩定中安家立業。這部小說精心地切為三部分:主角在牛津大學簽訂定期合約的一間租來的房間;鏡頭轉至主角與英格蘭最後一本社會雜誌簽訂臨時工作合約時期睡在沙發上;最後失業,離開倫敦,乘坐火車回到她童年時代與家人一起生活的沒有獨立空間的家。

當「歸屬」的概念透過交叉性的鏡頭進行剖析時,這其中就孕育出使命感,故事的每條線索都充滿生氣。作者喬.哈米亞從小說第一頁開始就將我們吸引到她的親密散文中,在文學界標、流行文化女權主義、政治演講和數字媒體之間快速導航。

 

● 作者簡介

喬.哈米亞(Jo Hamya),1997年出生於倫敦。在倫敦國王學院取得英語學士後,考取碩士學位。在牛津大學的當代文學與文化研究中,她將二十世紀的文化理論放進二十一世紀的數位詞語,並分析了社會媒體對當代女性寫作的形式和身份問題所產生的影響。離開牛津大學後,她擔任《塔特勒雜誌》(Tatler)編輯,也為英國《金融時報》撰稿。

 

● 媒體報導

"Jo Hamya is an exceptionally gifted writer. Her portrait of a bright young woman struggling to get a foothold in an indifferent world is acute, informed, and deeply felt. Three Rooms slowly but surely broke my heart."──Claire-Louise Bennett

"I was bowled over by this barbed, supple book about precarity and power, both for its spiky, unsettling intelligence and the frank beauty of the writing."──Olivia Laing

"A stunning achievement. Three Rooms is both assertion and interrogation: of the world, our immediate landscape, ourselves. Hamya’s writing is silken, delicate yet tough, successfully bearing the weight of deft observations that unsettle, even while they bear witness. Her assured candour is awe inspiring, truth telling rarely feels so immersive, so enjoyable a read. I’m full of curious excitement about what she’ll write in the future. In every way possible, Three Rooms is a novel for our times."──Courttia Newland

"Three Rooms is brilliant, and brilliant in new ways. Jo Hamya's writing is full of unexpected angles and original, vivid approaches; it's intelligent, melancholy, funny and subtle."──Chris Power

"Three Rooms is a masterpiece of attentiveness. Hamya's rooms are not just filled with furniture, air and light, but with social codes and gestures, politics, privileges and precarities; they are rooms filled with all the clatter and pressure and bullshit of the infosphere, and the exhausting acclivity of trying to find a meaningful home within it, or just somewhere vaguely affordable to live. Incisive, funny, sad and true: I felt every thought of it."──Jack Underwood

"A meticulous portrait of a hostile present drawn from a year spent haunting others' houses, Hamya's prose is both spectral and steeped in contemporary reality."──Olivia Sudjic